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JOURNAL OF THE MOVING IMAGE
Jadavpur University

 

clapstick_icon JOURNAL OF THE MOVING IMAGE 10 (Alternative cinemas in India)


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  1. Editorial

    by Moinak Biswas

  2. The Persistence of Rajasthan in Indian Cinema : One Region, So Many Views

    by Kaushik Bhaumik (Deputy Director, Osian's Cinefan Festival of Asian and Arab Cinema, New Delhi)

  3. John Abraham : Cinema and the Idea of the Collective

    by Rajan Kurai Krishnan (Senior Research Fellow, IDCR, Loyola College, Chennai)

  4. Alternative Cinema : Response of Indian Film Studies

    by Manas Ghosh (Assistant Professor, Dept. of Film Studies, Jadavpur University)

  5. The Story of Arri : Imagined Landscapes, Emergent Technologies and Bengali Cinema

    by Madhuja Mukherjee (Associate Professor and Head, Dept. of Film Studies, Jadavpur University)

  6. Spectres of the New Wave : The State of the Work of Mourning, and the New Cinema Aesthetic in a Regional Industry

    by Parichay Patra (Student, Dept. of Film Studies, Jadavpur University)

  7. Authoring Space, Gender and the Past : A Film Called Shubho Mahurat

    by Sumit Dey (Student, Dept. of Film Studies, Jadavpur University)

  8. Mani Kaul : DU : KH ke Prakar

    by Amrit Gangar (Independent writer, film theorist and curator based in Mumbai., )

  9. Incomplete Testimonies : Tapan Sinha

    by Moinak Biswas (Associate Professor, Department of Film Studies, Jadavpur University)

  10. A Memorialization Without Destinying : A Revisitation of JU Media Lab's National Instruments Project Archive

    by Anustup Basu (Associate Professor of English, Cinema and Media, University of Illinois at Urbana-Champaign)

clapstick_icon JOURNAL OF THE MOVING IMAGE 9 (Writing histories for Indian cinema)


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  1. Editorial

    by Moinak Biswas

  2. Reconstructing The Indian Filmography, Sitara Devi and the Indian filmographer

    by Ashish Rajadhyaksha (Director, Centre for the Study of Culture and Society, Bangalore)

  3. The Advent of Sound in Indian Cinema : Theatre, Orientalism, Action, Magic

    by Virchand Dharamsey

  4. Writing History for Cinema: Archives, Archaeological Sites and Homes

    by Gayatri Chatterjee (External faculty (Direction), Film & Television Institute of India, Pune)

  5. Problems Faced by Film Historians in India

    by S. Theodore Baskaran

  6. The Lost Decade of Film History in India

    by Stephen Putnam Hughes (Lecturer, Department of Anthropology and Sociology at the School of Oriental and African Studies, University of London)

  7. Geographies of the Cinematic Public: Notes on Regional, National and Global Histories of Indian Cinema

    by Ravi S. Vasudevan (Professor, Centre for the Study of Developing Societies, Delhi)

  8. Remapping Transitions of Bengali Cinema into The 50's

    by Subhajit Chatterjee (Assistant Professor, Department of Film Studies, Jadavpur University)

clapstick_icon JOURNAL OF THE MOVING IMAGE 8 (Future of celluloid)


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  1. Editorial

    by Moinak Biswas

  2. Preserving Film (on Film) in a Digital Age

    by Josef Lindner (Preservation Officer, Academy Film Archive, Los Angeles, California)

  3. Together against the Mafia: Godard, Scorsese, Bit Torrent

    by Sebastian Lutgert (Lecturer, The Media Studies Department of the Academy of the Sciences, Berlin)

  4. Cinema's Floating Point

    by Matt Hanson (writer, theorist and filmmaker, )

  5. Of Jesters, Clowns and Pranksters: YouTube and the Condition of Collaborative Authorship

    by Nishant Shah (Director-Research, Centre for Internet and Society, Bangalore)

  6. Photoshop Landscapes: Digital Mediations and Bollywood Cities

    by Madhuja Mukherjee (Senior Lecturer, Department of Film Studies, Jadavpur University)

  7. Conjunction and Flow: The Gendered Temporalities of (Media) Disasters

    by Kumkum Sangari (William F. Vilas Research Professor of English, University of Wisconsin, Milwaukee)

clapstick_icon JOURNAL OF THE MOVING IMAGE 7 (New Asian cinema, Trans Asian Frames)


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  1. Editorial

    by Moinak Biswas

  2. Querying the 'Traditional' Roots of Silent Cinema in Asia

    by Kaushik Bhaumik (Vice-President, Osianama, Osian's, Mumbai)

  3. Beyond Partition: The Political Horizons of Contemporary Indian and Korean War Films

    by Bhaskar Sarkar (Associate Professor, Department of Film and Media Studies, University of California, Santa Barbara)

  4. The Subject of Representation in Korean Cinema: Two Limit Cases

    by Earl Jackson, Jr. (Professor of English and Film, Korea University, Seoul)

  5. Meet John Doe‘s Order: Piracy, Temporality and the Question of Asia

    by Lawrence Liang (, Alternative Law Forum, Bangalore)

  6. Missing in the Original: Twin Dragons Remade in India

    by S.V. Srinivas (Senior Fellow, Centre for the Study of Culture and Society, Bangalore)

  7. Theorizing New Asian Cinemas: Problems of the Historicist Approach

    by Manas Ghosh (Lecturer, Department of Film Studies, Jadavpur University)

  8. New Urban Spaces: Films of Tsai Ming-liang

    by Michelle Baitali Bhowmik (, Jadavpur University)

  9. The Meanings of 'Bollywood'

    by Ravi Vasudevan (Professor and Senior Fellow, Centre for the Study of Developing Societies, Delhi)

clapstick_icon JOURNAL OF THE MOVING IMAGE 6 (Sound cultures in Indian cinema)


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  1. Editorial

    by Moinak Biswas

  2. An Aesthetic for Film Sound in India?

    by Ashish Rajadhyaksha (Director, Centre for the Study of Culture and Society, Bangalore)

  3. Communication and Signification: Voice in the Cinema

    by M. Madhava Prasad (Professor, School of Critical Humanities, Central Institute of English and Foreign Languages, Hyderabad)

  4. Early Indian Talkies: Voice, Performance and Aura

    by Madhuja Mukherjee (Senior Lecturer, Department of Film Studies, Jadavpur University)

  5. Musical Contests: Reflections on Musical Values in Popular Film

    by Amlan Das Gupta (Professor, Department of English, Jadavpur University)

  6. Speaking through Troubled Times

    by Moinak Biswas (Associate Professor, Department of Film Studies, Jadavpur University)

  7. Seeing through the Sound: Certain Tendencies of the Soundtrack in Satyajit Ray's Films of the 1970s

    by Anindya Sengupta (Lecturer, Department of Film Studies, Jadavpur University)

  8. Sound Memories: In Search of Lost Sounds in Indian Cinema

    by Budhaditya Chattopadhyay (sound engineer and designer, )

  9. Sound of Horror: Sound and Dread in Hindi Cinema

    by Shubham Roy Choudhury (Junior Research Fellow and alumnus of Film Studies, Jadavpur University)

  10. Space, Interiority and Affect in Charulata and Ghare Baire

    by Supriya Chaudhuri (Professor, Department of English, Jadavpur University)

clapstick_icon JOURNAL OF THE MOVING IMAGE 5 (Currents in Indian popular cinema)


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  1. Editorial

    by Moinak Biswas

  2. The Curious Case of Bombay's Hindi Cinema: The Career of Indigenous 'Exhibition' Capital

    by Ashish Rajadhyaksha (Director, Centre for the Study of Culture and Society, Bangalore)

  3. Acceleration and Conflicts: Comments on the Cinematic Object in the 1990s and After

    by Jeebesh Bagchi (senior editor and researcher with the Sarai Programme, Centre for the Study of Developing Societies, Delhi)

  4. Persistence of the Feudal: Star and Film Form in Post 1970s Telugu Cinema

    by S.V. Srinivas (Senior Fellow, Centre for the Study of Culture and Society, Bangalore)

  5. Mourning and Blood-Ties: Macbeth in Mumbai

    by Moinak Biswas (Associate Professor, Department of Film Studies, Jadavpur University)

  6. Live(li)ness and Network Publics in Post-Liberalization Indian Popular Films

    by Abhijit Roy (Department of Film Studies, Jadavpur University)

  7. Memories of Development: The Fantastic Non-Presence of Kolkata in Post-Liberalization Bangla Cinema

    by Sovan Tarafder (doctoral student in the Department of Film Studies, Jadavpur University)

  8. The Middle Class: Consuming and Consumed The Romance of Bombay Cinema

    by Neha Chadha (postgraduate student in the Department of Film Studies (2003-05), Jadavpur University)

clapstick_icon JOURNAL OF THE MOVING IMAGE 4 (Television in India : History, Theory, Culture)


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  1. Editorial

    by Moinak Biswas and Abhijit Roy

  2. The Apparatus and its Constituencies: On India's Encounters with Television

    by Abhijit Roy (Department of Film Studies, Jadavpur University)

  3. Panoramas of Asia and the Electronic Hearth: Michael Palin's Connections

    by John Hutnyk (Reader, Cultural Studies, Goldsmiths College, University of London)

  4. The Subjects of News Television

    by M. Madhava Prasad (Professor, School of Critical Humanities, Central Institute of English and Foreign Languages, Hyderabad)

  5. Kyunki Main Bhi Kabhi Tulsi Thi : Opening and Using the Black Box of Primetime Telereality

    by Ipsita Chanda (Reader, Department of Comparative Literature, Jadavpur University)

  6. Media Trials and Courtroom Tribulations : The Battle of Images, Words and Shadows in the 13 December Case

    by Suddhabrata Sengupta (critic, filmmaker and artist, Raqs Media Collective and 'Sarai', at the Centre for the Study of Developing Societies, Delhi)

  7. Television, Nationalism and Indian Cricket in the Era of Global Media

    by Manas Ghosh (Ph.D. student at the Department of Film Studies, Jadavpur University)

  8. Development (without) Communication: Viewing Doordarshan Methodologically

    by Dipankar Sinha (Reader, Department of Political Science, Calcutta University)

  9. 'Reading' Television : Towards a Definition of Audio-Visual Literacy

    by Nilanjana Gupta (Professor, Department of English, Jadavpur University)

  10. Remote Control Nationalism: Media politics in Guyana

    by Atticus Narrain (Doctoral Fellow, Department of Anthropology, Goldsmiths College, University of London)

clapstick_icon JOURNAL OF THE MOVING IMAGE 3 (Encountering Theory)


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  1. Editorial

    by Moinak Biswas

  2. Looking at the Past from the Present: Rethinking Feminist Film Theory of the 1970s

    by Laura Mulvey

  3. Uses of Film Theory

    by Moinak Biswas (Associate Professor, Department of Film Studies, Jadavpur University)

  4. Theory and Tolerance

    by Mihir Bhattacharya (Professor, Dept. of Film Studies, Jadavpur University)

  5. Rethinking the State after Bollywood

    by Ashish Rajadhyaksha (Director, Centre for the Study of Culture and Society, Bangalore)

  6. What Weighs upon the Inheritance of Philosophy in the Indian Academy?

    by Shefali Moitra

  7. Changing Persons

    by Supriya Chaudhuri (Professor, Department of English, Jadavpur University)

  8. Reviewing Flanerie: Jibanananda Das and Urban Culture in the 1940s

    by Sanjoy Mukhopadhyay

  9. Have We Exhausted Lacan in the Field of Literary Criticism?

    by Santanu Biswas

  10. Panel Discussion: Feminist Theory: 1

    by Jasodhara Bagchi

  11. Panel Discussion: Feminist Theory: 2

    by Malini Bhattacharya

  12. Panel Discussion: Feminist Theory: 3

    by Janaki Nair

  13. Panel Discussion: Feminist Theory: 4

    by Kavita Panjabi

  14. The Face of the Mother: Woman as the Image and the Bearer of the Look in Ritwik Ghatak's Films

    by Anindya Sengupta (Lecturer, Department of Film Studies, Jadavpur University)

clapstick_icon JOURNAL OF THE MOVING IMAGE 2


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  1. Editorial

    by Sanjoy Mukhopadhyay

  2. Developmentalist Turn: Recovering Ray's Panchali

    by Sourin Bhattacharya (formerly Professor of Economics, Jadavpur University)

  3. Ray's Memory Game

    by Sibaji Bandyopadhyay (Reader, Department of Comparative Literature, Jadavpur University)

  4. Nationhood, Authenticity and Realism in Indian cinema: the double take of modernism in the work of Satyajit Ray

    by Ravi S. Vasudevan (Professor, Centre for the Study of Developing Societies, Delhi)

  5. Conditions of Visibility: People‘s Imagination and Goopy Gyne Bagha Byne

    by Mihir Bhattacharya (Professor, Dept. of Film Studies, Jadavpur University)

  6. The Divided Object of Desire: A Note on Spectatorship in Indian Cinema

    by Subhajit Chatterjee (Assistant Professor, Department of Film Studies, Jadavpur University)

  7. Social Rhythm and Films: The Dimension of Realism in Pather Panchali

    by Basab Mullik (postgraduate student (1998-2000), Dept. of Film Studies, Jadavpur University)

  8. The Father Figures in Ray's Films

    by Manas Ghosh (Lecturer, Department of Film Studies, Jadavpur University)

  9. Displacement in Aranyer Din Ratri

    by Subhadeep Roy Chaudhuri (postgraduate student, Dept. of Film Studies, Jadavpur University)

  10. Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema

    by M. Madhava Prasad (Professor, School of Critical Humanities, Central Institute of English and Foreign Languages, Hyderabad)

  11. Beyond the Visible: The Case of Delhi Durbar Films

    by Biren Das Sharma (Lecturer in Film Theory and Film History, Satyajit Ray Film and Television Institute)

clapstick_icon JOURNAL OF THE MOVING IMAGE 1


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  1. Editorial

    by Mihir Bhattacharya

  2. Bengali Film Debates: The Literary Liaison Revisited

    by Moinak Biswas (Associate Professor, Department of Film Studies, Jadavpur University)

  3. Gandhian Nationalism and Melodrama in the 30's Telugu Cinema

    by S.V. Srinivas (Senior Fellow, Centre for the Study of Culture and Society, Bangalore)

  4. Cine-Politics: On the Political Significance of Cinema in South India

    by M. Madhava Prasad (Professor, School of Critical Humanities, Central Institute of English and Foreign Languages, Hyderabad)

  5. An …Other‘ Road to an …Other‘ Ray

    by Ajanta Sircar (Fellow, Centre for the Study of Social Sciences, Calcutta)

  6. …You Can See Without Looking‘: Reconsidering Freedom of Expression in the Cinema

    by Ashish Rajadhyaksha (Director, Centre for the Study of Culture and Society, Bangalore)

  7. Questions for Feminist Film Studies

    by Tejaswini Niranjana (Fellow, Centre for the Study of Culture and Society, Bangalore)

  8. Three Women Lost to Time: A Brief Note on Ghatak‘s Heroines

    by Meheli Sen (completed her Masters Course from the Department of Film Studies, Jadavpur University)

  9. Film in Cultural Space: A Study of English August

    by Subhajit Chatterjee (Assistant Professor, Department of Film Studies, Jadavpur University)

  10. Dahan as an Exploration of Sexual Politics

    by Nandana Bose (completed her Masters Course from the Department of Film Studies , Jadavpur University)

  11. Ideology of the Hindi Film: A Historical Construction

    by Ravi S. Vasudevan (Professor, Centre for the Study of Developing Societies, Delhi)




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