Journal of the Moving Image, Number 5, December, 2006

 

 

 Contents

Editorial Note

 

 Ashish Rajadhyaksha

 The Curious Case of Bombay’s Hindi Cinema: The Career of Indigenous ‘Exhibition’ Capital

 Jeebesh Bagchi

 Acceleration and Conflicts: Comments on the Cinematic Object in the 1990s and After

 S V Srinivas

 Persistence of the Feudal: Star and Film Form in Post 1970s Telugu Cinema

 Moinak Biswas

 Mourning and Blood-Ties: Macbeth in Mumbai

 Abhijit Roy

 Live(li)ness and Network Publics in Post-Liberalization Indian Popular Films

 Sovan Tarafder

 Memories of Development: The Fantastic Non-Presence of Kolkata in Post-Liberalization Bangla Cinema

 Neha Chadha

The Middle Class: Consuming and Consumed 
The Romance of Bombay Cinema

 

Contributors

Ashish Rajadhyaksha is Senior Fellow, Centre for the
Study of Culture and Society, Bangalore

Jeebesh Bagchi is member of Raqs Media Collective, Delhi,
and a senior editor and researcher with the Sarai Programme
at Centre for the Study of Developing Societies, Delhi

S.V. Srinivas is Senior Fellow, Centre for the Study of
Culture and Society, Bangalore

Moinak Biswas is Reader, Department of Film Studies, Jadavpur University

Abhijit Roy is currently Head, Department of Film Studies, Jadavpur University

Sovan Tarafder is a doctoral student in the Department of Film Studies, Jadavpur University
and a journalist with the Ananda Bazar Patrika, Calcutta

Neha Chadha was postgraduate student in the
Department of Film Studies, Jadavpur University, 2003-2005

 

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