Editorial:

by Sanjoy Mukhopadhyay

Developmentalist Turn: Recovering Ray's Panchali:

by Sourin Bhattacharya
formerly Professor of Economics
Jadavpur University

Ray's Memory Game:

by Sibaji Bandyopadhyay
Reader, Department of Comparative Literature
Jadavpur University

Nationhood, Authenticity and Realism in Indian cinema: the double take of modernism in the work of Satyajit Ray:

by Ravi S. Vasudevan
Professor
Centre for the Study of Developing Societies, Delhi

Conditions of Visibility: People‘s Imagination and Goopy Gyne Bagha Byne:

by Mihir Bhattacharya
Professor, Dept. of Film Studies
Jadavpur University

The Divided Object of Desire: A Note on Spectatorship in Indian Cinema:

by Subhajit Chatterjee
Assistant Professor, Department of Film Studies
Jadavpur University

Social Rhythm and Films: The Dimension of Realism in Pather Panchali:

by Basab Mullik
postgraduate student (1998-2000), Dept. of Film Studies
Jadavpur University

The Father Figures in Ray's Films:

by Manas Ghosh
Lecturer, Department of Film Studies
Jadavpur University

Displacement in Aranyer Din Ratri:

by Subhadeep Roy Chaudhuri
postgraduate student, Dept. of Film Studies
Jadavpur University

Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema:

by M. Madhava Prasad
Professor
School of Critical Humanities, Central Institute of English and Foreign Languages, Hyderabad

Beyond the Visible: The Case of Delhi Durbar Films:

by Biren Das Sharma
Lecturer in Film Theory and Film History
Satyajit Ray Film and Television Institute