JOURNAL OF THE MOVING IMAGE
Department of Film Studies
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Jadavpur University
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JMI 2015 »
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Film History as Cultural History
Multiplex Exhibition and the New Marathi Cinema
Bombay Noir
Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema
The Social Crisis of Cinema Halls
JMI 2014 »
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Editorial Note
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Benjamin's Mass at the Cinema
From Dysfunctional Families to Productive Pathologies: Melodrama Trauma Mind-Games.
The Second Life of Italian Neo-realism
A Question of Legacy: What is the Use of Kung Fu
The Many Bodies of History: The Cinema of Alexander Kluge between Marxism and Postmodernism
JMI 2012 »
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Editorial Note
List of contributers
Presentation 1: Teaching Film Studies in India: Curricula and Crises
Prsentation 2 and 3: Framing Curricula
Presentation 4: Teaching Film Theory 1
Presentation 5: Teaching Film Theory 2
Special Presentation: Teaching Godard
Presentation 1: Teaching Indian Cinema
Presentation 2: Teaching India / Asian Cinema
Presentation 3: Teaching European and Asian Cinemas
Roundtable 1: New Pedagogical Tools
Roundtable 2: The Slippery Object of Film Studies
The Twice-Lived Fragment of Time: Memory, Time-Travel and the Photographic Image in Chris Marker’s La Jetée (1962)
Past Perfect: rediscovering 'India' in Comics
JMI 2011 »
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Contents
Editorial Note
Contributors
Alternative Cinema: Response of Indian Film Studies
The Story of Arri: Imagined Landscapes, Emergent Technologies and Bengali Cinema
John Abraham: Cinema and the Idea of the Collective
The Persistence of Rajasthan in Indian Cinema: One Region, So Many views
Spectres of the New Wave: The State of the Work of Mourning,m and the New Cinema Aesthetic in a Regional Industry
Authoring Space, Gender and the Past: A Film Called SHUBHO MAHURAT
Mani Kaul: DU: KH ke Prakar
Incomplete Testimonies: Tapan Sinha
A Memorialization Without Destinying: A Revisitation of JU Media Lab's National Instrument Project Archive
JMI 2010 »
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Contributor's note
Reconstructing the Indian Filmography
The Advent of Sound in Indian Cinema: Theatre, Orientalism, Action, Magic
Geographies of the Cinematic Public: Notes on Regional, National and Global Histories of Indian Cinema
Writing History for Cinama: Archives, Archaeologyical Sites and Homes
Problems Faced by Film Historians in India
The Lost Decade of Film History in India
Remapping Transitions of Bengali Cinema into the 50s
JMI 2009 »
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Future of Celluloid
Contributor's note
Preserving Film (on film) in a Digital Age
Together Against the Mafia: Godard, Scorsese, Bit Torrent
Cinema's Floating Point
Of Jesters, Clowns and Pranksters: YouTube and the Condition of Collaborative Authorship
Photoshop Landscapes: Digital Mediation and Bollywood Cities
Conjunction and Flow: The Gendered Temporalities of (media) Disasters
JMI 2008 »
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Beyond Partition: The Political Horizons of Contemporary Indian and Korean War Films
Meet John Doe's Order: Piracy, Temporality and the Question of Asia
Missing in the Original: TWIN DRAGONS Remade in India
Theorizing New Asian Cinemas: Problems of the Historicist Approach
Querying the 'Traditional' Roots of Silent Cinema in Asia
The Subject of Representation in Korean Cinema: Two Limit Cases
New Urban Spaces: Films of Tsai Ming-liang
The Meanings of 'Bollywood'
JMI 2007 »
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Editorial Note
Contributors
Musical Contests: Reflections on Musical Values in Popular Film
Speaking Through Troubled Times
Seeing Through the Sound: Certain Tendencies of the Soundtrack in Satyajit Ray's Film in the 1970s
An Aesthetic for Film Sound in India?
Communication and Signification: Voice in the Cinema
Early Indian Talkies: Voice, Performance and Aura
Sound Memories: In Search of Lost Sounds in Indian Cinema
Sound of Horror: Sound and Dread in Indian Cinema
Space, Interiority and Affect in CHARULATA and GHARE BAIRE
JMI 2006 »
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Contributor's note
Persistence of the Feudal: Star and Film Form in Post 1970s Telugu Cinema
Mourning and Blood Ties: Macbeth in Mumbai
Live(li)ness and Network Publics in Post-Liberalization Indian Popular Films
The Curious Case of Bombay's Hindi Cinema: The Career of Indigenous 'Exhibition' Capital
Acceleration and Conflicts: Comments on the Cinematic Object in the 1990s and After
Memories of Development: The Fantastic Non-Presence of Kolkata in Post Liberalization Bangla Cinema
The Middle Class: Consuming and Consumed: The Romance of Bombay Cinema
JMI 2005 »
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Editorial Note
Contributors
Media trials and courtroom tribulations: The battle of images, words and shadows in the 13 December case
Panoramas of Asia and the electronic hearth: Michael Palin's connections
Television, Nationalism and Indian cricekt in the era of global media
The apparatus and its constituencies: On India's encounter with television
The subjects of news television
Development (without) communication: Viewing Doordarshan methodologically
Kyunki main bhi kabhi Tulsi thi: Opening and using the blackbox of primetime telereality
'Reading' Television : Towards a Definition of Audio-Visual Literacy
Remote Control Nationalism: Media politics in Guyana
JMI 2004 »
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Reviewing Flanerie: Jibananda Das and urban culture in the 1940s
Have we exhausted Lacan in the field of literary criticism?
Looking at the past from the present: Rethinking feminist film theory of the 1970s
Uses of Film Theory
The face of the mother: Woman as image and bearer of the look in Ritwik Ghatak's films
Theory and tolerance
Rethinking the state after Bollywood
What weighs upon the inheritance of philosophy in the Indian academy?
Changing Persons
Feminist Theory: 1
Feminist Theory: 2
Feminist Theory: 3
Feminist Theory: 4
JMI 2001 »
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Editorial Note
Contributor's note
Ray's memory game
Developmentalist Turn: Recovering Ray's Panchali
Beyond the visible: The case of Delhi Durbar films
Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema
Conditions of Visibility: People's Imagination and Goopy Gyne Bagha Byne
Nationahood, Authenticity and Realism in Indian Cinema: The double take of modernism in the work of Satyajit Ray
Father figures in Ray's films
Social rhythm and films: The dimension of realism in Pather Panchali
Displacement in Aranyer Din Ratri
The Divided Object of Desire: A Note on Spectatorship in Indian Cinema
JMI 1999 »
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Bengali Film Debates: The Literary Liaison Revisited
Gandhian Nationalism and Melodrama in the 30's Telugu Cinema
Cine-politics: On the political significance of cinema in South India
'You can see without looking': Reconsidering Freedom of Expression in Cinema
Questions for Feminist Film Studies
Three women lost to time: A brief note on Ghatak's heroines
Film in cultural space: A study of English August
Dahan as an exploration of sexual politics
Ideology of the Hindi Film: A Historical Construct
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